. Bernard 'Pretty' Purdie. Mississippi BigfootBorn( 1939-06-11) June 11, 1939 (age 80), U.S.Genres,Occupation(s)Instruments,Years active1958–presentLabels,Associated acts,WebsiteBernard Lee 'Pretty' Purdie (born June 11, 1939) is an American, and an influential R&B, soul and musician. He is known for his precise musical time keeping and his signature use of triplets against a half-time backbeat: the 'Purdie Shuffle.'

Mapping Network Drives. ECN Account Information (MyECN) Purdue Appointment Scheduling System (PASS) Staff Performance Review System (PRS) Resource Allocation Tool (RAT) Event Group Organizer (EGO) Resource Database (RDB) TeamViewer Tools.

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He was inducted into the Hall of Fame in 2013.Purdie recorded (1968) as a band leader and although he went on to record Alexander's Ragtime Band, the album remained unreleased until Soul Drums was reissued on CD in 2009 with the Alexander's Ragtime Band sessions. Other solo albums include (1971), (1972) and the for the film Lialeh (1973).In the mid-1990s he was a member of, with.

Contents.Biography Purdie was born on June 11, 1939 in, US, the eleventh of fifteen children. At an early age he began hitting cans with sticks and learned the elements of drumming techniques from overhearing lessons being given by Leonard Heywood.

He later took lessons from Heywood and played in Heywood's big band. Purdie's other influences at that time were, as well as, and.In 1961 he moved from his home town of, to. There he played sessions with and regularly visited the Turf Club on 50th and Broadway, where musicians, agents, and promoters met and touted for business.

It was during this period that he played for the saxophonist, who nicknamed him 'Mississippi Bigfoot'. Eventually Barney Richmond contracted him to play session work. In a 1978 interview, Purdie claimed to have added drum overdubs to 'several tracks of the Beatles' Hamburg recording' with, including 'Ain't She Sweet', 'Take Out Some Insurance On Me Baby' and 'Sweet Georgia Brown', to give them a punchier sound for the US market.Purdie was contracted by arranger to play a session with in 1965 and recording session records also show that Purdie played on 'Ain't That A Groove' at the same session.

Purdie is credited on the James Brown's albums (1969) and (1972).Purdie started working with Aretha Franklin as musical director in 1970 and held that position for five years, as well as drumming for Franklin's opening act, and The King Pins. 5–7 March 1971 he performed with both bands at the Fillmore West; the resulting live recordings were released as Aretha Live At The Fillmore West (19 May 1971) and King Curtis's Live At Fillmore West (1971). His best known track with Franklin was 'Rock Steady', on which he played what he described as 'a funky and low down beat'. Of his time with Franklin he once commented that 'backing her was like floating in seventh heaven'.Purdie was credited on the soundtrack album for (1978) and more recently he was the drummer for the 2009 revival of and appeared on the associated Broadway cast recording.Purdie has been a resident of, living in,. Encounter Records In 1973 Purdie founded Encounter Records and released five albums:. EN 3000: – Messin' With.

EN 3001: Sands of Time – Profile (with, ). EN 3002: East Coast – East Coast (with, ). EN 3003: Frank Owens – Brown N Serve (with ). EN 3004: as 'Sir Edward' – The Power of FeelingDrumming style.

Purdie shuffle variant.Purdie is known as a groove drummer with immaculate timing who makes use of precision, backbeats, and grooves. Purdie's signature sixteenth note hi-hat lick pish-ship, pish-ship, pish-ship is distinct. He often employs a straight eight groove sometimes fusing several influences such as swing, blues and funk. He created the now well-known Purdie Half-Time Shuffle that is a shuffle variation with the addition of syncopated on the snare drum. Variations on this can be heard on songs such as 's ', 's ', and 's '. Purdie plays the shuffle on 's 'Babylon Sisters' and 'Home At Last'.

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In this extensively revised and updated edition, 168 alphabetically arranged articles provide comprehensive treatment of the main topics and writers in this area of aesthetics. Written by prominent scholars covering a wide-range of key topics in aesthetics and the philosophy of art. Features revised and expanded entries from the first edition, as well as new chapters on recent developments in aesthetics and a larger number of essays on non-Western thought about art. Unique to this edition are six overview essays on the history of aesthetics in the West from antiquity to modern times.