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Oscar Wilde, celebrated playwright and literaryprovocateur, was born in Dublin on October 16, 1854.He was educated at Trinity College, Dublin and Magdalen College,Oxford before settling in London. During his days at Dublin andOxford, he developed a set of attitudes and postures for which hewould eventually become famous. Chief among these were his flamboyantstyle of dress, his contempt for conventional values, and his beliefin aestheticism—a movement that embraced the principle of art forthe sake of beauty and beauty alone. After a stunning performancein college, Wilde settled in London in 1878,where he moved in circles that included Lillie Langtry, the novelistsHenry James and George Moore, and the young William Butler Yeats.
Literary and artistic acclaim were slow in coming to Wilde.In 1884, when he marriedConstance Lloyd, Wilde’s writing career was still a work in progress.He had gone on a lecture tour of North America and been lampoonedin the 1881 Gilbertand Sullivan operetta Patience as the self-consciouslyidiosyncratic philosopher-poet Reginald Bunthorne, but he was celebratedchiefly as a well-known personality and a wit. He may have beenthe first person ever to become famous for being famous.
During the late 1880s,Wilde wrote reviews, edited a women’s magazine, and published avolume of poetry and one of children’s stories. In 1891,his only novel, The Picture of Dorian Gray, appearedand was attacked as scandalous and immoral. In that same year, hemet Lord Alfred Douglas, who would eventually become his lover,and Wilde finally hit his literary stride. Over the next few years,he wrote four plays: Lady Windermere’s Fan, AWoman of No Importance, An Ideal Husband, and TheImportance of Being Earnest.
Lady Windermere’s Fan and A Womanof No Importance enjoyed successful runs in the West Endin 1892 and 1893,respectively. An Ideal Husband opened in January 1895,but it was The Importance of Being Earnest, whichopened a month later, that is regarded by many as OscarWilde’s masterpiece. Its first performance at the St. James’s Theateron February 14, 1895 cameat the height of Wilde’s success as a popular dramatist. Wilde wasfinally the darling of London society, a position he had strivenfor years to attain.
In many ways, The Importance of Being Earnest wasan artistic breakthrough for Wilde, something between self-parodyand a deceptively flippant commentary on the dramatic genre in which Wildehad already had so much success. Wilde’s genre of choice was theVictorian melodrama, or “sentimental comedy,” derived from the Frenchvariety of “well-made play” popularized by Scribe and Sardou. Insuch plays, fallen women and abandoned children of uncertain parentagefigure prominently, letters cross and recross the stage, and darksecrets from the past rise to threaten the happiness of seeminglyrespectable, well-meaning characters. In Wilde’s hands, the formof Victorian melodrama became something else entirely. Wilde introduceda new character to the genre, the figure of the “dandy” (a man whopays excessive attention to his appearance). This figure added amoral texture the form had never before possessed. The characterof the dandy was heavily autobiographical and often a stand-in forWilde himself, a witty, overdressed, self-styled philosopher whospeaks in epigrams and paradoxes, ridicules the cant and hypocrisyof society’s moral arbiters, and self-deprecatingly presents himselfas trivial, shallow, and ineffectual. In fact, the dandy in theseplays always proves to be deeply moral and essential to the happyresolution of the plot.
The Importance of Being Earnest was anearly experiment in Victorian melodrama. Part satire, part comedyof manners, and part intellectual farce, this play seems to havenothing at stake because the world it presents is so blatantly andostentatiously artificial. Below the surface of the light, brittlecomedy, however, is a serious subtext that takes aim at self-righteousmoralism and hypocrisy, the very aspects of Victorian society thatwould, in part, bring about Wilde’s downfall. Dragon age origins camp storage.
During 1895,however, a series of catastrophes stemming from Wilde’s relationshipwith Lord Alfred, also a poet, led to personal humiliation and social,professional, and financial ruin. On February 28, 1895,two weeks after The Importance of Being Earnest’s openingnight, Lord Alfred’s belligerent, homophobic father, the Marquessof Queensberry, publicly accused Wilde of “posing as a somdomite.”The nobleman meant “sodomite,” of course, an insulting and potentiallydefamatory term for a homosexual. Queensberry had for some timebeen harassing Wilde with insulting letters, notes, and confrontationsand had hoped to disrupt the opening night of The Importanceof Being Earnest with a public demonstration, which nevertook place. Against the advice of his friends, Wilde sued for libeland lost. Wilde probably should have fled the country, as the CriminalLaw Amendment Act of 1885 had madehomosexual acts punishable by up to two years’ imprisonment. However,Wilde chose to stay and was arrested. Despite information aboutWilde’s private life and writings that emerged at the trial, the prosecutioninitially proved unsuccessful. However, Wilde was tried a secondtime, convicted, and sentenced to prison for two years.
Wilde may have remained in England for a number of reasons, includingself-destructiveness, denial, desperation, and a desire for martyrdom.However, some historians have suggested that Wilde’s relentlesspersecution by the government was a diversionary tactic. Lord Alfred’solder brother was reportedly also having a homosexual affair withArchibald Philip Primrose, Lord Rosebery, the man who would becomeprime minister. Queensberry was apparently so outraged that he threatenedto disclose the relationship, and the government reacted by punishingWilde and his lover in an effort to assuage the marquess. In anycase, Wilde served his full sentence under conditions of utmosthardship and cruelty. Following his release from prison, his healthand spirit broken, he sought exile in France, where he lived outthe last two years of his life in poverty and obscurity under anassumed name. He died in Paris in 1900.
For sixty or seventy years after Wilde’s death, criticsand audiences regarded The Importance of Being Earnest asa delightful but utterly frivolous and superficial comedy, a viewthat partly reflects the mindset of a period in which homosexualityremained a guarded topic. The decriminalization of homosexualityin England in 1967 andthe emergence in American of an interest in gay culture, and particularlyin the covert homosexual literature of the past, has made it possibleto view the play in a different light. The play’s danger and subversionare easier to see from a twenty-first-century perspective. In theambiguity over exactly what people refer to when they speak of “wicked”or immoral behavior, we can detect a system of coded referencesto homosexuality, just as we can infer a more general comment onthe hypocrisy of late Victorian society.
There, as the impulsive pilot competes with the best of the best, not only will he meet Charlie, the flying school's curvaceous astrophysics instructor, but also the brilliant and highly competitive fellow student, 'Iceman', with whom right from the start, he will engage in a reckless contest. TriviaA test audience, who saw the movie before it was released, were annoyed that there was no love scene. The producers obliged, and five months after the production had wrapped, they summoned and to Chicago to film the infamous elevator scene and the sex scene. As Maverick is haunted by his father's mysterious death, will he be able to suppress his wild nature to win the prestigious Top Gun Trophy? During their time away from the set, McGillis had lost approximately sixteen pounds, and Cruise was actually filming (1986), so his hair was much longer in those two scenes.